- Album of ca. 100 albumen photographic prints taken from 1861 to 1865 and printed later. Images include Navy ships and sailors during the blockade of southern ports; army camps; Edisto Island, South Carolina; plantations and African Americans; Fort Warren, Massachusetts; and Andersonville Prison, Georgia. Many of the Edisto Island photographs were taken by Henry P. Moore of New Hampshire. This album is vol. 20 from a 31 volume set of photograph albums compiled by Arnold A. Rand and Albert Ordway. They created a number of such sets throughout the 1880s and into the 20th century, using their personal collection of approximately 4,000 negatives as the source for the album prints., Gift of the Military Order of the Loyal Legion of the United States, Commandery of the State of New York.
- Castle Thunder was a former tobacco warehouse in Richmond, Va., used to house prisoners during the Civil War. Three handwritten pages of lyrics entitled "Castle Thunder song," undated, written by an unnamed prisoner at Castle Thunder, circa 1863. Lyrics describe life and conditions in the prison., Castle Thunder was a former tobacco warehouse in Richmond, Va., used to house prisoners during the Civil War.
- The diaries of Charles Willoughby Dayton (1846-1910) date from 1863 to 1865 and contain entries about the weather and war news. He writes negatively about African Americans, African American soldiers, the Emancipation Proclamation, and Abraham Lincoln. He also mentions the New York Draft Riots and his fear of being killed by the mobs. Other events and topics noted by Dayton include the marriage of Tom Thumb, the death of Edwin Booth's wife, Mary Booth (ne Devlin), the New York Sanitary Fair of 1864, and the campaign leading up to the presidential election of 1864 (Dayton was a supporter of George McClellan, and makes many entries concerning the campaign and his fears that Lincoln will be re-elected). The Charles Willoughby Dayton papers were donated to the New-York Historical Society by William Charles Willoughby Dayton Denby III, and the diaries were digitized thanks to his generosity.
- Most pictorial envelopes approximately 3 x 5 1/2 inches. Printed or embossed with caricatures, allegories, slogans, portraits, etc. relating to Civil War events and personalities. The vast majority is Union-oriented, for example of George Washington, Jefferson Davis, Benjamin Franklin, or Abraham Lincoln. State seals figure prominently, as do flags. Other significant topics in the collection are animals (especially the eagle), liberty, soldiers, sailors, and Uncle Sam., The New-York Historical Society's Department of Prints, Photographs, and Architectural Collections owns approximately 3,000 unused envelopes dating from the Civil War years. Of these, 490 were scanned for this project. Most were produced by New York printers between 1861 and 1865. Some are quite crude; others are beautifully designed and executed, many in color, some gilt. Some envelopes show portraits or caricatures of politicians. A significant New York printer, Charles Magnus, is represented by thirty-six envelopes, many showing Civil War camp scenes derived from photographs.
- The 304 Civil War Posters in this collection consist predominantly of recruiting posters, as well as advertisements for public meetings, auctions and social functions pertaining to the Civil War. This collection includes posters from New Jersey, New York, Pennsylvania, Rhode Island, Massachusetts and Maine. Within the collection are posters for artillery, cavalry and infantry divisions of the United States Army, as well as state National Guard regiments and local regiments such as the Camden Zouaves, West Jersey Rifles and the Mozart Regiment. Many of these posters were used in targeted recruitment campaigns, calling upon African-Americans, Irish-Americans and German-Americans to enlist in the Union Army (a number of the posters are written in German). Many of the recruitment posters encourage men to avoid the draft and proactively sign up with a regiment, advertising high bounties, complimentary uniforms and pensions for the families of those who enlist. The posters use patriotic iconography featuring Lady Liberty, George Washington and Union soldiers, in addition to eagles, cavalrymen, liberty caps and American flags.
- The collection of Civil War stereographs from the New-York Historical Society's Department of Prints, Photographs, and Architectural Collections covers the entire period of the Civil War, from the first Battle of Bull Run through the surrender at Appomattox, and the triumphal parade of Union forces in Washington D.C. Most of the images were made in the eastern theatre of the war, with a majority of scenes from Virginia. Compelling images of death on the battlefield and the destruction of cities, railroads and bridges show the devastating effects of the war. Individual and group portraits of participants are included, along with images of soldiers relaxing in camps, drilling in the field, and preparing for attack in trenches and other fortifications. There are images of African Americans fleeing slavery by crossing the Union lines, as well as African Americans on southern plantations and serving in the Army and the Navy. Because of their journalistic style, stereographs offer an immediate and graphic look at the war. When seen with a stereograph viewer which creates a three-dimensional effect, the small views (which range in size from 3 1/8 x 6 3/4 inches to 4 x 7 inches) become even more vivid and detailed. While photographers did not usually depict actual battle scenes, they captured images of camp life before battles and of battlefields afterward. Significant Civil War sites are documented, including Fort Sumter and the house at Appomattox where Lee surrendered. These views are also significant because of the photographers who made them. Mathew Brady is represented in the collection, as well as his former employees Alexander Gardner, James Gibson, and Timothy O'Sullivan. Other photographers represented include George N. Barnard, who took photographs in Virginia and the Carolinas, Sam A. Cooley, who was the 'Official Photographer' for the 10th Army Corps, and local photographers from Richmond, Gettysburg, and other locations. The 732 stereographs presented here came to the Society from various sources, although most were acquired in 1960 and 1961 from George T. Bagoe (1886?-1948), who specialized in collecting Civil War stereographs, among other subjects. Other significant groups of views were acquired in 1922, 1923 and 1936.
- 66 autograph letters, signed, between James B. Collins and his brother Joseph T. Collins, their parents John W. and Mary Anne Collins, and a handful of friends and relatives, all dated between February 4, 1862 and July 9, 1863. The bulk of the letters from the front are written by James B. Collins. Also includes a manuscript copy of lyrics to a song entitled "Song of the Louisiana Lowlands." James B. and Joseph T. Collins of New York City enlisted in the U.S. Navy in August of 1862. They were first assigned to the U.S.S. Monticello, and then transferred to the U.S.S. Commodore Barney. Before being assigned to the Barney, among other experiences they witnessed the destruction of the ironclad U.S.S. Monitor off Cape Hatteras on December 31, 1862. Joseph Collins was killed on the Barney during the Battle of Suffolk on April 14, 1863; James survived the battle but lost an arm in the same explosion that killed his brother. James B. Collins was honorably discharged on July 16, 1863 and returned to New York. He became an Internal Revenue officer for the First District of New York City in 1872.
- This collection contains 111 images of drawings and text, depicting both important events and everyday scenes from the Civil War. The pencil, pen-and-ink, crayon and wash drawings range in size from 5 x 5 inches to 19 x 12 inches., The drawings were made by 'special artists' employed by Frank Leslie's Illustrated Newspaper, and used as a basis for the wood engravings that illustrated it. Many of the artists were professionals such as John Francis Edward Hillen and E. B. Bensell. Others were soldiers and others in the field who submitted their drawings for publication. The sketches were made from the earliest days of the war, in April 1861, when troops were being moved to defend Washington D.C., to February 1865, when the U.S. flag was raised over Fort Sumter after being recaptured by Union troops. Some works date from April and May 1865, when Lincoln's body was lying in state after his assassination. The sketches were able to capture action that photographs were not able to convey at the time, and provide immediacy lacking in the other mediums. This collection of drawings from the New-York Historical Society's Museum Department was acquired through the James B. Wilbur Fund from the collection of John T. Kavanaugh, Rutherford, N.J., in 1945.
- The four-volume diary of George Templeton Strong (1820-1875) is a detailed chronicle of the activities, interests, and relationships that characterized its author’s life. Beginning in 1835, and continued consistently into 1875, its thousands of individual entries contain descriptions of all facets of Strong’s experience, typically beginning with the weather and going on to discuss matters such as his legal work, family life, health, social ties, politics, and the arts. The diary documents upper class life in mid-nineteenth century New York City and provides reflections on the lives and attitudes of his peers. The reporting of personal activities is supplemented by Strong’s reactions to current events, most notably those related to the American Civil War. Digitization of the diary was made possible by a grant from the Peck Stacpoole Foundation.
- Sarah R. Blunt (born in 1830 or 1831) was a Union nurse during the Civil War. Leaving her home and family in Brooklyn's third ward, Blunt aided soldiers at Point Lookout, Maryland, and Harper's Ferry, Virginia. This collection includes Sarah R. Blunt's letters to her mother, father, sisters, and cousin in Brooklyn, New York, written from hospitals in Point Lookout, Maryland and Harpers Ferry, West Virginia (March 4, 1862-July 24, 1865). She writes of her living conditions, duties, and the wounded soldiers.